Film Riot

filmmaking

A Brand New Way to Get a Film Made

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Chris Caldwell & Zeek Earl

Chris and Zeek are the writer/director team behind PROSPECT, an indie sci-fi film that broke through the ceiling of its budget and has since gone on to find its audience on streaming.

Even though Chris and Zeek were happy with their film, they couldn’t help but think that there must be a better way to get a budget for their film while retaining creative control and including the wider community around the project. With the birth of NFTs, they think they have found that answer.

Today, Ryan chats with the filmmakers about their new venture with The Fringe and how it might change how films are made forever.

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Edited by Justin Robinson

Independent Filmmaking: Pitching, Budgeting, & Casting

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SCOTT GLASSGOLD

Via Twitter Spaces, Ryan interviews Scott Glassgold, who answers an array of questions in regards to pitching, budgeting, casting your lead, look books, studio vs. independent filmmaking, and funding feature and TV projects.

Scott Glassgold is a Manager and Producer with well over a decade of experience. After getting his start at New Line Cinema and Disney, Scott Founded Ground Control, an innovative Management, and Production company. From there, he’s gone on to nurture several short films and initial ideas to final feature films – such as Prospect and The Beyond.

Recently Scott has driven several high-profile deals like his recent 7 figure sale of “My Wife and I Bought a Ranch” to Netflix

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Produced by Ron Dawson

Edited by Emily Connolly

Getting Ambitious with an Indie Budget

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Colin Levy

How do you make a small budget seem large or few resources seem plentiful? That is what Ryan and Colin Levy discuss in this latest episode. Colin is no stranger to making an indie budget look like a Hollywood blockbuster. His short film, Skywatch stands shoulder-to-shoulder with some of the biggest films you’ve seen, all done with far fewer resources than you’d think. 

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Produced by Ron Dawson

Edited by Emily Connolly

Developing & Selling Feature Films

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Scott Glassgold

Scott Glassgold is a Manager and Producer with well over a decade of experience. After getting his start at New Line Cinema and Disney, Scott Founded Ground Control, an innovative Management, and Production company. From there, he’s gone on to nurture several short films and initial ideas to final feature films – such as Prospect and The Beyond.

Recently Scott has driven several high-profile deals like his recent 7 figure sale of “My Wife and I Bought a Ranch” to Netflix,

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Produced by Ron Dawson

Edited by Emily Connolly

The Importance of a 1st AD

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Hristo Dimitrov

The importance of the First Assistant Director can’t be understated. They set the tone for the crew, keep the production on schedule, and are one of the closest allies of the director.

And this is the role Hristo Dimitrov fills with ease. With films like Rambo: Last Blood, Hunter Killer, Paul, Apostle of Christ, and the recent Netflix original Concrete Cowboy on his resume, it’s safe to say that Hristo is no stranger to the ins and outs of the process.

Today Ryan chats with Hristo about the responsibilities and challenges a 1st AD faces during the making of a feature film.

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Produced by Ron Dawson

Edited by Emily Connolly

Directing Extraction with Sam Hargrave

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SAM HARGRAVE

Sam Hargrave is the director behind the new Netflix original, Extraction, starring Chris Hemsworth.

While Extraction is Sam’s first feature as a director, it’s far from his first experience with action. With credits in Atomic Blonde, Winter Soldier, Civil War, Infinity War, and End Game, Sam has been a part of creating some of the most exciting action of the last 10 years.

In this episode, Sam talks about his path to the director’s chair and how he handles action to create those visceral gut-punch-style action sequences.

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Produced by Ron Dawson

Edited by Emily Connolly

Writing & Directing ‘I Care a Lot’

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J Blakeson

J Blakeson is the writer/director behind the new Netflix original, I Care a Lot, starring Rosamund Pike.

J started his career like many of us did, making films with his friends and just trying to figure it out. By 21, he had his first agent and went about trying to get his scripts made. After some years of frustration, J took matters into his own hands and wrote a film that he knew he could make himself with the resources he had. That film ended up being his breakout feature, The Disappearance of Alice Creed. Since then, J has carved a spot for himself in the feature and television world with his unique voice, leading to his latest and possibly best film.

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Produced by Ron Dawson

Edited by Emily Connolly

Making a Creature Feature

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Pierce Brothers

Brett and Drew Pierce are the writer/director team behind the new horror film THE WRETCHED, an old school creature feature with more going on under the hood than just scares.

While having a background in Hollywood productions, the brothers still approach their work with a “do-it-yourself” attitude and a complete willingness to roll up their sleeves and get their hands dirty to make their film happen. Their infectious passion has led to them releasing their latest feature under IFC Films and will undoubtedly grant them more great features to come.

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Produced by Ron Dawson

Edited by Emily Connolly

Don’t wait for Hollywood to Make Your Film

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FAITH BASED

Make your film! That is what drives the team behind the new comedy FAITH BASED. From shooting with iPhones in their living rooms, to what it ultimately became—a full-blown feature film with an impressive cast (Jason Alexander, Lance Riddick, and David Koechner, just to name a few). Vincent Masciale, Luke Barnett, and Tanner Thomason were going to make this film, come “hell” or high water.

Now with an October 9th release date and a 95% on Rotten Tomatoes, the guys have show that with a little luck and a whole lot of passion and talent, you can make your dream project happen.

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Produced by Ron Dawson

Edited by Emily Connolly

Writing & Directing Story Driven Horror

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natalie erika james

There’s perhaps no greater excitement for an aspiring filmmaker than to have their directorial debut receive mass acclaim and distribution. Relic is the directorial debut of Japanese-Australian writer/director filmmaker, Natalie Erika James. It’s a horror film anchored by its deeply emotional and honest themes, and masterfully co-written and directed by James.

Released theatrically in drive-ins, and now available across most major streaming platforms, you’d never guess that Relic is Natalie’s first outing as a feature writer/director. In the episode of the Film Riot podcast, fresh off the experience of making the film, Natalie meets with Ryan to discuss her experience as a first-time writer/director, working with actors, and why she leaned into the horror genre to tell this specific and personal story. 

CLICK HERE TO WATCH RELIC NOW

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PRODUced by ron dawson

Edited by Emily Connolly

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