What does an agent do, and how do they help their client reach that dream of their first sale? In our latest episode, Ryan talks with David Boxerbaum (Hollywood Agent and Partner at Verve) to illuminate that process.
We also discuss David’s high-profile deals, including recent bidding wars for “Occupant” which ended in a high 6 figure sale to New Line, and “I Am Not Alone” which sold to Netflix in another high-six-figure deal.
How do you take an idea from concept, to short story, to a 9 studio bidding war? In our latest episode Ryan talks with Scott Glassgold (a Manager and Producer with well over a decade of experience) about how he did exactly that!
After getting his start at New Line Cinema and Disney, Scott Founded Ground Control, an innovative Management and Production company. From there, he’s gone on to nurture several short films and initial ideas to final feature films – such as Prospect, The Beyond, and his latest Horrorscope.
Scott is no stranger to high-profile deals like his 7 figure sale of “My Wife and I Bought a Ranch” to Netflix, or his most recent bidding war for “Occupant” that ended in a high 6 figure sale to New Line.
Chris and Zeek are the writer/director team behind PROSPECT, an indie sci-fi film that broke through the ceiling of its budget and has since gone on to find its audience on streaming.
Even though Chris and Zeek were happy with their film, they couldn’t help but think that there must be a better way to get a budget for their film while retaining creative control and including the wider community around the project. With the birth of NFTs, they think they have found that answer.
Today, Ryan chats with the filmmakers about their new venture with The Fringe and how it might change how films are made forever.
Via Twitter Spaces, Ryan interviews Scott Glassgold, who answers an array of questions in regards to pitching, budgeting, casting your lead, look books, studio vs. independent filmmaking, and funding feature and TV projects.
Scott Glassgold is a Manager and Producer with well over a decade of experience. After getting his start at New Line Cinema and Disney, Scott Founded Ground Control, an innovative Management, and Production company. From there, he’s gone on to nurture several short films and initial ideas to final feature films – such as Prospect and The Beyond.
Recently Scott has driven several high-profile deals like his recent 7 figure sale of “My Wife and I Bought a Ranch” to Netflix
Alexandra Fehrman is the Emmy nominated Sound mixer of Amazon’s ‘THE BOYS’. Her work spans series and features with projects like Killer Joe and Wu-Tang: An American Saga.
But what is a sound mixer, and what do all of the other departments inside the sound team do? Alexandra sheds light on that, plus some of her tricks for landing the sound for some common and not-so-common scenarios.
How do you make a small budget seem large or few resources seem plentiful? That is what Ryan and Colin Levy discuss in this latest episode. Colin is no stranger to making an indie budget look like a Hollywood blockbuster. His short film, Skywatch stands shoulder-to-shoulder with some of the biggest films you’ve seen, all done with far fewer resources than you’d think.
Amy Duddleston is the Emmy nominated editor of HBO’s MARE OF EASTTOWN. Amy’s work span decades and genres, culminating in a wellspring of wisdom and talent. From the shot-for-shot PSYCHO remake to the Tarantinoesque Amazon series HUNTERS, Amy consistently wields an incredible sense of pacing, story, and character.
Today Ryan and Amy dive into Amy’s work and how she constructs such engaging and emotional edits.
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Scott Glassgold is a Manager and Producer with well over a decade of experience. After getting his start at New Line Cinema and Disney, Scott Founded Ground Control, an innovative Management, and Production company. From there, he’s gone on to nurture several short films and initial ideas to final feature films – such as Prospect and The Beyond.
Recently Scott has driven several high-profile deals like his recent 7 figure sale of “My Wife and I Bought a Ranch” to Netflix,
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The importance of the First Assistant Director can’t be understated. They set the tone for the crew, keep the production on schedule, and are one of the closest allies of the director.
And this is the role Hristo Dimitrov fills with ease. With films like Rambo: Last Blood, Hunter Killer, Paul, Apostle of Christ, and the recent Netflix original Concrete Cowboy on his resume, it’s safe to say that Hristo is no stranger to the ins and outs of the process.
Today Ryan chats with Hristo about the responsibilities and challenges a 1st AD faces during the making of a feature film.
Sam Hargrave is the director behind the new Netflix original, Extraction, starring Chris Hemsworth.
While Extraction is Sam’s first feature as a director, it’s far from his first experience with action. With credits in Atomic Blonde, Winter Soldier, Civil War, Infinity War, and End Game, Sam has been a part of creating some of the most exciting action of the last 10 years.
In this episode, Sam talks about his path to the director’s chair and how he handles action to create those visceral gut-punch-style action sequences.
